RED ROAD

An interesting take and lesson in forgiveness as Jackie observes Glasgow on surveillance cameras and takes part on camera when she pursues a man she spies on the streets. It's not extremely clear who this man is, although we know there's a connection between them, and as the film unfolds, one really learns, echoing themes of other films (see PAGE TURNER and VOLVER) that hell hath no fury than a woman scorned. The difference in this case, it was an accident, and perhaps more than forgiving him, is the need to forgive herself and accept her last words.